It's a huge mistake, in my opinion, to read the correspondence between AF and N during WWI-in reference to Rasputin-at face value. Rasputin crops up over and over again-and thus the idea of his influence. But when you start to look at actual ministerial appointments, the list grows small when we're talking about either his direct influence or even peripheral influence. The single best analysis of this has been Martin Kilcoyne's "The Political Influence of Rasputin." He aptly shows that it was largely Alix who was in control of Rasputin, not the other way round. While this may be a somewhat controversial take, having studied it I'm sure it's the correct explanation. Rasputin was crafty enough to recognize what Alexandra wanted to hear, and he often echoed these views back to her-allowing her to then approach Nicholas with them. In the letters she often makes proposals, suggestions, even demands of Nicholas in relation to political questions. Most often, Rasputin's name is not mentioned at all in connection with these, or when it is, it comes much later in the discussion-after the Empress had presented her own ideas. Bringing Rasputin into the mix-either having his opinion of a candidate or his impressions-allowed her to bolster her arguments to Nicholas. It endowed what Alix felt with religious conviction, and the certainty of correctness. By couching her arguments to Nicholas in these terms, she presented them as not merely her own, but also approved by God in the person of "Our Friend." That raised the stakes, taking the issue out of the political arena and elevating it to a question of faith, where Nicholas-faced with his wife's certainty and her "evidence" of God's support for her position-had to either refute it (which he did do-he refused several times to go along with AF's and "Rasputin's" ideas about this or that minister) or agree. And in agreeing, N was in a sense absolved of responsibility, since it was "God's will." Blaming Alix for being under the influence of Rasputin is too simplistic a reading of a complex situation involving a multitude of characters.
Greg King