Radzinsky makes a number of speculations throughout The Last Tsar that are based more on his instincts than his research. I personally think many of his instincts are rather good; I only wish he'd indicate in the text whether he's going primarily on fact or on his gut.
It would be nice if he did that. I can see where some writers get so lost in their subjects that they start believing the myths they create/perpetuate. "This
should have happened, therefore it did"
That said, the photography ruse would have been a very clever ploy by Yurovsky to make sure the group didn't clump up and ensure that each assassin had clear access to his assigned target. (This is exactly how it's played out by Yurovsky in Romanovy: Ventsenosnaya Semya, which debuted over a decade after The Last Tsar.)
Good point Sarushka. Guess I never really thought of it that way. Interesting to think that the same person (Yurovsky) who, at least theoretically, was intelligent enough to where he could have lined up his victims in such a way to help make easier their assassination (and do so without alerting them to the fact), was also the same person that apparently didn't take in account so many other things; the lack of ventilation in the basement, bullets/fragments ricocheting off the walls, the 'Gang who couldn't shoot straight', the shallow pit to bury the bodies, etc.
Yurovsky would have made a better armchair revolutionary and should have stuck with photography. He was better at pointing and clicking, then aiming and firing.
That's interesting. In Rasputin: Dark Servant of Destiny, which came out after Radzinsky's book, Yurovsky informs the family once they've reached the basement that they're to be photographed due to rumors in Moscow that they're all dead. But in that scene, it's the tsar himself who arranges his family and servants for the "photo."
I thought so too as I was watching, and I do remember the portrayal in 'Rasputin' also.