Thank you Margot, gdella, Kate_S and Royal Watcher for you're kind words, very much appreciated!
I agree with you gdella, the style of the first decade of the twentieth century really suited 'Toria', and that declined when she got older and lost her figure. But I must say, between Queen Alexandra's death in 1925 until her own death ten years later she got something of her 'elegance' back, In my opinion. Maybe it was because she was more free then, after a lifetime putting herself on second place, she looked at ease in the last ten years of her life. After her father passed away and her mother got to lean even more on her, she always appeared kind of decrepit to me in pictures, mainly because her mother was always turning towards her I suppose. It must have been a exhausting 'job'.
And also the fashion of the late nineteentwenties and thirties suited her very well. A few pages ago I posted two pictures of an elderly 'Toria' with her beloved pet, and she looks really lovely, almost peacefull. During the Kent wedding and the silver jubilee, I think in combination with her sister Maud, they looked fashionably and elegant. It also must have been very comfortable and a relief, to finally being in charge yourself, after so many years of corsets and living on the edge of exhaustion, because of running up and down just behind 'Motherdear'. Luckily she was free in the last years of her life, free from the stiffling fashion and even more from the tiring royal demands.
Oh, and Eric it were no letter but photo-albums, that amongst other things containted no real letters, but little poems and stuff by her friends and family. I do think she kept a journal, as her photo-albums were overloaded by stuff, so she must have written down her own thoughts concerning the many events she went too also. I hope it passed down in too the Kent family or that it went straight away intoo the royal archives. Atleast if she not burnded them herself.
I always thought Louise as the most ‘plain’ one of the royal sisters. At least in her daily wear, because her jewellery was quite impressive in combination with her evening-gowns. And in the photo-shoot of her and her daughters in mourning for their husband and father, Louise looks quite stunning exactly. But in many pictures her face expression seems so hollow.
‘Toria’ as I have just explained. She went up and down and back up again in my opinion, concerning her looks and fashion. But through Maud’s fashion sense and delicate figure and face, I always thought she was the one that looked the most beautiful. Her eyes expressed something mysterious playful and the expression of the face itself always so elegant. In combination with her excellent fashion sense, she upgraded her appearance. As she was not a natural beauty as her mother (at least not in older age), I believe Maud was the closest one achieving that goal. Above that, Maud looked marvellous as a woman in her sixties and by then she was still a very outgoing woman. But when her mother Alexandra reached the same age, she began to withdraw herself from society after the Great War, because of her age finally caught up with her. Alexandra’s high reputation of beauty turned against her at the end of her life, her fading beauty made her depressed and melancholic. Aldo Alexandra lived twelve years longer than her daughter, Maud really never got to that stage and lucky for her she never showed the signs of it either.
And I must agree with Grace too. Eric, I personally refer to ‘Toria’ as ‘darling Toria’ instead of the labelled expression of ‘poor Toria’, many of her family-members and friends referred to her like this, at least that is what we read in my last post, so why can’t we do the same?