It's interesting, Colleen, that you mentioned "Dr. Zhivago" on this N&A thread.
I recently read a book about Sam Spiegel and his production of N&A. It seems that he wanted to do "Dr. Zhivago" all along, but that David Lean/Carlo Ponti beat him to it, and so he wanted to do "something" Russian to "outdo" Zhivago (it just took him awhile to find it since Massie's book didn't come out until 1967). Since Zhivago was about two lovers during the Russian Revolution, Spiegel told people that it would be the same with his movie -- N&A.
The writer of the Spiegel book thought the movie wasn't as successful as it COULD have been since the "big" movie BLOCKBUSTERS that Lean had made so famous in the 50's and 60's (Bridge on the River Kwai, Lawrence of Arabia, Dr. Zhivago) were not "in fashion" by the early 1970s. People no longer wanted to see a "costume epic," and if you remember, shortly after N&A came out, the big budget DISASTER movies started (Poseiden Adventure, Earthquake, etc.).
Yes, the movie N&A was my first introduction to Russian history and it changed my life. But looking at it 30+ years later, I tend to fault it too much -- their early lives are completely ignored, historical sequences are out of order (Stolypin had already been dead by two years when the 300th anniversary took place), the cookie-cutter OTMAs, and the scenes of them CONSTANTLY walking down that long hallway (N&A go to Mama's b-day party, N&A come home from reviewing the troops, N comes home from the war).
Just my two cents worth . . .
E--