I think in some places the filmmakers definitely could have used Menken's magical touch with the songs. Newman's score was flawless, really. I have the 34 track bootleg of nothing but instrumental score. Flaherty had some low points in his songs though. Probably why you only hear two songs played instrumentally throughout the score instead of more than that. Another reason only 2 are heard in the score is probably because the other songs do not concern plot much. Journey and December are focal points in plot as well as characterisation. The other songs seem like they are just there. While most of the others are good (not brilliant), I think Menken could have done better... on the other hand, we might have gotten stuck with that silly scale he uses after every ballad (Bass low B, F, C, D, D, F, E, F, F, then Treble: A, high E, high F, high F.) Forgive if I am wording that incorrectly, I'm just practicing as a hobby. At any rate, it's cheesy.