The novelist Rebecca West's description of the scene from Black Lamb and Grey Falcon:
"“The palace was a fine example of the school of interior decoration to which the dynasties of Europe seem irresistibly drawn, and they had to find their way among objects including many bead portières, a huge black bear that someone had shot during the Bulgarian War, marble fountains removed from old Turkish palaces …All that is known is that at the last they stood in their bedroom, the flabby spectacled young man and the stout and bloated middle-aged woman, fantastically dressed, and faced a group of officers whose shaking hands held guttering candles and drawn swords and revolvers.”
"The next time the red light of violence shone out it seemed of no importance, an irrelevant horror. When I was ten years old, on June the eleventh, 1903, Alexander Obrenovitch, King of Serbia, and his wife Draga were murdered in the Palace at Belgrade, and their naked bodies thrown out of their bedroom into the garden. The Queen's two brothers and two Ministers were also killed. The murder was the work of a number of Army officers, none of whom was then known outside Serbia, and the main characters were not interesting. Alexander was a flabby young man with pince-nez who had a taste for clumsy experiments in absolutism, and his wife, who strangely enough belonged to the same type as Marie Vetsera, though she had in her youth been far more beautiful, was understood to have the disadvantages of being disreputable, having an ambitious family, and lying under the suspicion of having tried to palm off a borrowed baby as an heir to the throne. There can be no question that these people were regarded with terrified apprehension by the Serbians, who had freed themselves from the Turk not a hundred years before and knew that their independence was perpetually threatened by the great powers. The cringe lingered in nay mind only because of its nightmare touches. The conspirators blew open the door of the Palace with a dynamite cartridge which fused the electric lights and they stumbled about blaspheming in the darkness, passing into a frenzy of cruelty that was half terror. The King and Queen hid in a secret cuphoard in their bedroom for two hours, listening to the searchers grow cold, then warm, then child again, then warn, and at last hot, and burning hot. The weakly King was hard to kill: when they threw him from the balcony they thought him doubly dead from bullet wounds and sword slashes, but the fingers of his right hand clasped the railing and had to be cut of before lie fell to the ground, where the tinged of his left hand clutched the grass. Though it was June, rain fell on the naked bodies in the early morning as they lay among the flowers. The whole of Europe was revolted. Edward VII withdrew his minister and most of the great powers followed his example.
That murder was just a half-tone square, dingily figured with horror, at the back of my mind: a Police News poster or the front page of a tabloid, seen years ago. But now I realize that when Alexander and Draga fell from that balcony the whole of the modern world fell with them. It took some time to reach the ground and break its neck, but its fall started then, For this is not a strictly moral universe, and it is not true that it is useless to kill a tyrant because a worse man takes his place."